- Range Rover TDV8 2010 Top Radiator Hose 4 Way Coupling – How To Fix.
- More American Aggression: The War Against the Turkish Lira
- Richard Coudenhove-Kalergi, Donald Trump and Meghan Markle.
- Range Rover Sport L494 Versus Full Fat Range Rover 4.4TDV8 L322
- Taste of success at High Peak Business Club’s latest meeting
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Author Archives: Editor
The Range Rover L322 2010 TDV8 4.4 is known for this water leak fault.
I was out this evening and a radiator hose four way branch coupling on top of the engine inexplicably broke and water was everywhere.
The dashboard lit up like a Christmas Tree, not charging, restricted performance, coolant low, etc.
On opening the bonnet the culprit was easily visible right on top.
It took frequent stops and 9 litres of water to get the 10 miles home.
Of course you can’t buy the coupling on its own. It comes with the surrounding hoses only and costs about £80 (part number LR029140 seems to be it).
I’m not liking the idea of £80 to replace a tiny bit of snapped plastic. I think I’ll repair it. here’s how I did that.
As I have a couple of stents I reckon a stent would work. The joint doesn’t seem under a great deal of pressure, so I’m hopeful it will last.
Why is the war raging against the Turkish lira?
More accurately what is going on can be described as a battle against the Turkish lira as part of a war to protect the position of the U.S. dollar.
With a huge proportion of external debt denominated in dollars; some $300 billion in private as opposed to government debt amounting to about 50% of Turkish GDP, Turkey is an easy target. That the U.S. has a political beef with Turkey is merely a bonus.
Remembering that, for the United States, maintaining the position of the dollar as a reserve currency is key to the survival of the country, this war is very important.
What we are seeing at the moment is an inevitable response to the ongoing process of de-dollarisation.
There will be responses and counter-responses but the biggest single risk, in my opinion, is that the actions currently being taken by the United States tend, whether successful or not, to lead to the outcome that is least desired by the U.S. Continue reading
Richard Coudenhove-Kalergi, Donald Trump and Meghan Markle and not three obvious names you might think are likely to come together in one article.
What about I throw some Brexit in?
In an internet forum discussion (ostensibly on Donald Trump but frequently on other things) recently, a bloke said this to me:
Read up on Richard Coudenhove-Kalergi and his views: https://en.wikipedia.org/wiki/Richard_von_Coudenhove-Kalergi#Views_on_race_and_religion
Well, I’d never heard of Richard Coudenhove-Kalergi. But from the link I found an interesting quote:
“The man of the future will be of mixed race. Today’s races and classes will gradually disappear owing to the vanishing of space, time, and prejudice. The Eurasian-Negroid race of the future, similar in its appearance to the Ancient Egyptians, will replace the diversity of peoples with a diversity of individuals.”
I’ve often thought this was someone’s “grand plan” for humanity. If you go back through popular culture, you’ll find it everywhere for decades as a gentle sort of propaganda.
I was contemplating selling my 2006 L320 Range Rover Sport and getting a new shape L494 Range Rover Sport. Then the topic cropped up about the dodgy 3 litre crankshafts and I thought better of that idea. Especially after an … Continue reading
The latest meeting of High Peak Business Club took place on the morning of Friday, October 6.
The guest speaker was Raymond Reynolds, property and business development director of Greggs and his theme was Baking Up A Business. The club’s Edwina Currie reported: “Raymond Reynolds is Scottish and very tall. And slim – if he’s eating a lot of his firm’s pasties, he doesn’t show it.
“Changing roles after ten years as retail director, he now has “a wide portfolio of responsibilities.” He’s been with Greggs since the 1980s, so he’s seen it grow and adapt as the traditional High Street has come under pressure. How does a bread shop business become the darling of the stock market?
“At High Peak Business Club as we scoffed sausage rolls from Greggs in Buxton, we realised that the firm is, in Raymond’s words, “a success story in staying relevant; you can never rest on your laurels.” That’s a pertinent lesson for everyone in business (and, dare I suggest, in politics too). Continue reading
The media is foaming at the mouth at the prospect of a war between North Korea and the USA. Is a nuclear war likely between North Korea and the USA? Are Donald Trump and Kim Jong-Un likely to go to … Continue reading
Eventually we started using Hermes directly. Same bulk upload tools as P2G but a few pence cheaper.
Hermes are great for low value items you can afford to give some away of – because you will be doing.
The drivers routinely lose/steal stuff or deliver it to random neighbours, sometimes other addresses entirely, leave it in their car for a week if they have flu, drop it in puddles or simply toss stuff over walls in the rain.
Because of the above, tracking will sometimes say delivered but customer says it isn’t.
We found Hermes to be more trouble than they were worth eventually and preferred to pay more to get a better service.
Put Collect+ and Yodel into the same category.
>>Read about Hermes/MyHermes here<< My preferred options: We use a mix of Post Office PPI and DPD courier. Royal Mail Business. You get in touch with Royal Mail business section and tell them you want an OBA (online business account) and want to use PPI. This allows you to book your own boxes online, select Recorded etc, and drop them off at the post office in bulk done already and walk out. You pay every month by DD. You are sat at home with a glass of wine rather than standing in the PO. Now they will make you buy a £250 printer to do this now (we use the old label system still) and the software is a bit of a learning curve, but once you are doing it, it is easy peasy and a bit cheaper than the PO counter. Cons: Your local post office might sulk at taking them in pre-paid this way – ask them. They are contractually obliged to take them but many still refuse citing lack of space. You may need to remind them they still get paid if they scan recorded mail (which they do from your book 10 at a time using the bulkscan tool on their screen). Continue reading
Although fifties-styled clothing was not readily available in High Street stores, revivalists were catered for by small shops, who frequently sold goods through small adverts in music papers. Perhaps one of the best known is Malcolm McLaren and Vivienne Westwood’s shop at 430 King’s Road, Chelsea, which opened in 1971 as ‘Let it Rock.’
The shop initially sold original fifties clothes, but Westwood soon started to produce new copies to sell.
These were not exact copies; colours tended to be brighter than the fifties originals, and featured camp detailing like fake fur or lurex trim.
As a youth tribe, the new Teds in Britain were not far removed from the skinheads. Both movements were almost exclusively working class, and they were both known for racist behaviour and general aggression.
But the teddy boys were far more flamboyant, from their gaudy suits to their authentically charged style of dancing. Even their choice of car was crucial-in the mid 1980s, a car magazine, commenting on the very American looking Ford Consul Capri of 1962, noted that many of the surviving vehicles had tears in the cushion of the driver’s seat-attributed by the magazine as being caused by metal combs sticking out of the seat pockets of the driver’s trousers.
Teddy boys were still around at the dawn of the punk age; indeed, contemporary pictures show than some punks adopted a certain amount of punk gear, with drainpipe jeans or trousers being notably popular (no flares!).
Not that the two factions were united-Poly Styrene, the leader of the punk rock group X-Ray Spex had her market stall of kitsch trashed by a gang of teds. But by the end of the seventies, only the most dedicated of teds remained.
The fifties had by then featured in several high-profile films and television shows, most notably Grease and Happy Days. Although these were American products, they both had a considerable impact in Britain too.
By the 1980s, nostalgic perception of the 1950s was quite different to what it was in the previous decade. In the 80s, cod-1950s style was far more archetypally American, typified by the leather jacket/blue jeans/white 6 t-shirt look. Although the yearning for the past survived, any historical accuracy had been obliterated. Continue reading
By this time, however, her mother has died of a broken heart – “She got so lonely in the end, the angels picked her for a friend… And I can never go home anymore.” Their label, Red Bird, was in serious financial trouble by this point, a situation which had been becoming increasingly serious for some time, and Jeff Barry and Ellie Greenwich had left the label before the release of the above single. Indeed, Red Bird shut up shop in 1966, and the group and Morton transferred over to Mercury records for a further two singles before disbanding. 14 Between I Can Never Go Home Anymore and the demise of the group, a further five singles were released.
He Cried was a cover of She Cried, by Jay & the Americans, and was produced in a typically melodramatic style. Past, Present and Future, the last single for Red Bird featured oblique lyrics to the tune of Beethoven’s Moonlight Sonata, and Sweet Sounds of Summer, a lightweight pop number, featuring an incongruously psychedelic middle eight that sounds like it was lifted from the Pink Floyd’s debut album. More interesting were the final single on Mercury, Take the Time, and the penultimatebut-one single for Red Bird, Long Live Our Love. By the release of these two singles, the US had already embarked on the Vietnam War, and the drafting of young men to fight in the war zone had started.
Although no one was aware at the time of the outcome of these hostilities, the decision was taken by Morton to record not one, but two songs that were in market contrast to popular music’s later reactions to the situation. Long Live Our Love opens with a half-spoken monologue (“When Johnny comes marching home again, hooray, hurrah”) before we hear a drum roll, and the song bursts into life The second verse gives a flavour of the song: “Something’s come between us, And it’s not another girl, But a lot of people need you 15 There is trouble in the world.” And apart from a brief soliloquy towards the end of the song (“Please Lord, don’t let anything happen to him… Please.”), there is little suggestion that the boy will come to any harm.
After all, the earlier songs of the Shangri-las were morbid fantasies that in reality represented highly unlikely scenarios; the Vietnam War on the other hand held a very tangible risk of real death, not the comic-book kind. Take the Time was even more remarkable, although it must have seemed hugely out of step in 1967. “This Country that we’re living in knows only that we’ve got to win, no matter what the cost may be, our loss is keeping you and me free” go the lyrics patriotically, to the complete apathy of the record buying public.
By 1967 though, girl groups were no longer selling, with the exception of the Supremes, who had the backing of the powerful Motown empire behind them.
The music of the Shangri-las was considered particularly anachronistic – rock and pop’s newly discovered intellectuality had no time for silly teenage angst about boys and parents. But despite this snobbery, the Shangri-las racked up two further hits in the U.K, both times with reissues of Leader of the Pack, which reached the British top ten in both 1972 and 1976 (a better chart placing than the original release had managed here). Lucy O’Brien recounts the appeal of this record to a pre-teen audience in 1970s Britain in She Bop II – “This was our pre-teen drama, the one we learned the words to – right 16 down to every tear and every rev of that deadly motorbike.”
This success testifies to the magic of this silly little pop song. The Shangri-las are unlikely to ever be categorised as high art, but this is unnecessary anyway, as the combination of the quaint lyrical thrust of the songs along with their distinctive structures makes them unique.
No matter how old fashioned their music sounds now, the Shangri-las also brought a darker edge to pure pop , turning self-righteous and immature teenage angst and rebellion into unique pieces of music. Continue reading
This is a large estate on the edge of a village, built within a small forest, the construction of which required annihilation of most of the foliage. All the roads are named after trees, and the style of houses all 7 conformed to an olde-worlde stereotype of leaded windows, canopies over front doors and fake half timbering. But why do so many people favour the traditional over the modern? It would appear that to many, the past offers reassurance and security. In Traditional Interiors, which is a book from the USA published by the Architectural Review, the notion is suggested that “In a marvellously comforting way, the past is forever there; the rules are established; the mistakes have been eliminated.
A sort of purification has taken place, and the trends of the moment have been eliminated”2 . The idea of the traditional being away from the realm of fashion is an important one when considering architecture, or home fittings and furnishings. Nothing dates as quickly as the ultra contemporary, and as the purchase of a home and/or its furnishings represent a considerable outlay, people tend to be wary about that which will date quickly. Traditional designs are a safe option; while they will never be terribly fashionable, they probably will never be particularly unfashionable either. Another interesting parallel to note is that both the inter war years and the period from the eighties on have both been periods of remarkable growth in domestic consumer technologies. While the earlier period saw the introduction of scheduled radio and limited television broadcasts and increasing ubiquity of the telephone, the later one has so far.
Traditional interiors. Los Angeles : Knapp, 1979. 8 seen mobile phones, powerful computers, the emergence of the internet and a glut of television channels all become a part of everyday life. The unprecedented levels of mass communication achieved in both of these eras served to considerably alter perception of time and space-speeding life up as well as making information ever more accessible. In a world where the unfamiliar constantly becomes the normal, people can feel the need for something tangible and familiar to grasp on to.
The future is not the certainty of an exciting new world that it was in the two decades following the cessation of WW2. Indeed, the problems associated with modern design and architecture of this period are well remembered, and add to a suspicion of the ‘new.’ Even the lack of regional variation in recently built estates can be perceived as offering reassurance. In an age where people’s jobs can easily lead to them relocating to an unfamiliar part of the country, the similarity these developments have to each other almost eliminates the need to get used to the new area, which is something that seems to have been happening over the last couple of decades in terms of global standardisation as well.
The irony is, though, that people who are quite happy to live in a modern ‘traditional’ home, with ‘traditional’ furniture could also be the kind that would turn down living in a genuinely old (but modernised) house or owning antique furniture. This is illustrated in a brilliant quote from a book on the Channel Four series Sign of the Times (broadcast in 1992) which was a show about the nation’s taste in home décor. One of the participants said that “I’m put off real antiques because to me they look old and sort of Barker, Nicholas and Martin Parr. Signs of the Times: A portrait of the nation’s Tastes.
In summary, domestic nostalgia, despite its detractors, offers the consumer a retreat from the high speed world that we live in. The mistakes made post war in relation to ‘the new’ have remained in people’s consciousness for a long time, and even today, the traditional is associated with quality, and a slower, more peaceful world. It is a completely idealised vision of the past, but because of this rose tinted depiction, a home built or decorated in this style provides a symbolically safe environment for its occupiers. Continue reading